Sally Field’s worst on-screen kiss might be a surprise

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Sally Field’s worst on-screen kiss might be a surprise

I’ve always been a fan of Sally Field. She is a legend and truly a gifted actress. And the 76-year-old has shared many on-screen romances in her storied career.

She has had, therefore, her fair share of on-screen kisses as well. She recently shared which has been the worst, although she hesitated to admit which costar it was with at first.

Considered one of the most versatile and talented actresses of her generation, Sally Field can look back on a fantastic career in Hollywood. She has charmed us with some iconic roles in numerous films and tv shows.

For example, I will never forget her unforgettable performance in Steel Magnolias and that funeral scene. Sally did an excellent job of portraying a woman torn by love, discouragement, anger, and loss.

But of course, she’s also famous for her roles in famous movies and series like Gidget, The Flying Nun, Smokey and the Bandit, Forrest Gump, Mrs. Doubtfire, and Erin Brockovich.

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Sally was born into a working-class showbiz family in Pasadena, California.

But her childhood was far from a fairytale. In her memoirs, Sally wrote that her stepfather did some very bad things to her and she had a secret abortion at 17.

Yet she turned out to be such a beautiful, humble human being.

As for today, Sally still continues to work regularly. She played Janice in the 2020 TV series Dispatches From Elsewhere. In 2022, she stars as Jessie Buss in Winning Time: The Rise of the Lakers Dynasty, the popular tv series that portrays the professional and personal lives of the 1980s Los Angeles Lakers.

So considering how active she is, it’s not surprising that Sally appears in interviews from time to time.

On Thursday, Dec. 1, episode of “Watch What Happens Live with Andy Cohen,” beloved star Sally Field decided to admit her worst on-screen kiss to the public after a probing question by a fan came in.

Field, 76, looked around after the question was asked, laughing, “Oh boy. Shall I really name names here?”

“I think you should,” Cohen, 54, replied.

Field caved: “Okay. This is going to be a shocker. Hold on folks.”

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My husband and I were married for 72 years — at his funeral, one of the men he served with handed me a small box, and the moment I opened it, my heart stopped. My husband and I were married for 72 years. Seventy-two birthdays, holidays, quiet mornings with coffee, and long evenings sitting on the porch. When you spend that much time with someone, you start to believe you know everything about them. But the truth is, sometimes you only know the parts they choose to show you. My husband, Walter, was a veteran. When he was young, he served in the army. After he passed away, our children and grandchildren gathered for the funeral. It was a small service, quiet and respectful. Walter had always been a simple man. He didn’t like attention. Near the end of the service, while people were beginning to leave, I noticed an older man standing near the back of the room. I didn’t recognize him. He looked about Walter’s age, maybe a little older. His back was slightly bent, and he wore an old service jacket that had clearly been kept for many years. For a long time, he just stood there watching the photo of Walter by the casket. Then he slowly walked toward me. “I served with your husband,” he said softly. His voice shook a little, like it was carrying memories that were too heavy to hold. Before I could say anything, he reached into his coat pocket and pulled out a small wooden box. It was worn and scratched, like it had been carried around for decades. “He told me,” the man said, placing it gently in my hands, “that if anything ever happened to him… I should make sure you received this.” My fingers trembled as I opened the lid. The moment I looked inside, my heart stopped. “Oh God… what is this?!” I asked, my voice louder than I intended. ⬇️

My husband and I were married for 72 years — at his funeral, one of the men he served with handed me a small box, and the moment I opened it, my heart stopped. My husband and I were married for 72 years. Seventy-two birthdays, holidays, quiet mornings with coffee, and long evenings sitting on the porch. When you spend that much time with someone, you start to believe you know everything about them. But the truth is, sometimes you only know the parts they choose to show you. My husband, Walter, was a veteran. When he was young, he served in the army. After he passed away, our children and grandchildren gathered for the funeral. It was a small service, quiet and respectful. Walter had always been a simple man. He didn’t like attention. Near the end of the service, while people were beginning to leave, I noticed an older man standing near the back of the room. I didn’t recognize him. He looked about Walter’s age, maybe a little older. His back was slightly bent, and he wore an old service jacket that had clearly been kept for many years. For a long time, he just stood there watching the photo of Walter by the casket. Then he slowly walked toward me. “I served with your husband,” he said softly. His voice shook a little, like it was carrying memories that were too heavy to hold. Before I could say anything, he reached into his coat pocket and pulled out a small wooden box. It was worn and scratched, like it had been carried around for decades. “He told me,” the man said, placing it gently in my hands, “that if anything ever happened to him… I should make sure you received this.” My fingers trembled as I opened the lid. The moment I looked inside, my heart stopped. “Oh God… what is this?!” I asked, my voice louder than I intended. ⬇️
She was deemed unfit for marriage, so her father married her to the strongest slave. Virginia, 1856 They said I would never marry. Twelve men in four years came to my father’s Virginia plantation, looked at my wheelchair… and walked away. Some were kind. Most were not. “She can’t walk down the aisle.” “My children need a mother who can chase them.” “What’s the point if she can’t even have sons?” This last rumor, spread by a doctor who had never examined me, spread like wildfire in 1850s Virginia. At twenty-two, I wasn’t just disabled. I was defective. Defective goods. My name is Elellanar Whitmore, and by 1856, society had already decided my life was over before it had even begun. No one expected—not the twelve men, not the gossiping neighbors, not even me—that my father’s desperate solution would ignite a love so rebellious it would resonate for generations. But before you judge him… you must understand the cage we lived in. Virginia in 1856 was not kind to women. And it was even less kind to women who could not stand. My legs had been useless since I was eight. A horseback riding accident. A fractured spine. Fourteen years in a polished mahogany chair my father had commissioned, so elegant it made society forget what it symbolized. But they never forgot. The chair wasn’t the real problem. It was what it represented. Dependence. Fragility. A woman who, according to gossip, was incapable of fulfilling the duties of a wife. My father, Colonel Richard Whitmore, owned five thousand acres of land and two hundred slaves. He could negotiate cotton prices in three different states. But he couldn’t negotiate my value on the marriage market. After the twelfth rejection—a fifty-year-old drunk named William Foster, who rejected me even after my father offered him a third of our annual profits—I understood one thing clearly: I would die alone. My father understood this, too. And it terrified him. One evening in March 1856, he called me into his study. “I will marry you to Josiah,” he said. I burst out laughing. Not because it was funny. Because it was impossible. “The blacksmith,” he clarified. The room fell silent. “Father… Josiah is a slave.” “Yes,” he said. “I know exactly what I’m doing.” I thought he’d lost his mind. What I didn’t know was that I was about to meet the man who would change everything I thought I knew about strength… and valor. They called him “the brute.” Seven feet ten inches tall, if not shorter. Two hundred pounds of muscle forged from iron. Hands marked with the scars of the forge. Shoulders that barely fit through doors. White visitors whispered about him. Slaves gave him space. He looked like a weapon. The first time he entered our living room, he had to duck to get under the cornice. His eyes never left the floor. “Yes, sir,” he said to my father, his voice deep but surprisingly soft. When we were alone, the silence stretched between us like a test neither of us wanted to fail. “Are you afraid of me, miss?” he asked softly. “Should I be?” “No, miss. I would never hurt you.” His hands—enormous, strong enough to bend iron—rested gently on my knees. And then I asked him the question that changed everything. “Can you read?” A flash of fear crossed his face. In Virginia, teaching slaves to read was illegal. “Yes,” he said finally. “I taught myself.” “What do you read?” “Everything I can find. Shakespeare. Newspapers. Anything.” “What’s your favorite play?” “The Tempest,” he replied without hesitation. “Prospero calls Caliban a monster… but Caliban was a slave on his own island. Makes you wonder who the real monster is.” And just like that, the brute vanished. In her place was a man who could talk about Shakespeare with more insight than half the men who had rejected me. We talked for two hours. About Ariel and freedom. About being trapped in bodies and systems that defined you before you could even define yourself. When he finally said, “Anyone who can’t see beyond a wheelchair is a fool,” something inside me opened. For the first time in fourteen years, I felt seen. Not pitied. Not tolerated. Seen. The arrangement began in April. Not a legal marriage—that would have been impossible—but my father entrusted Josiah with the responsibility of my care. He moved into a room adjacent to mine. And slowly, awkwardly, we built a life within an impossible structure. He helped me get dressed—always asking my permission first. He carried me when necessary—as if I weighed nothing. He rearranged my shelves alphabetically just because I asked. And in the afternoons

She was deemed unfit for marriage, so her father married her to the strongest slave. Virginia, 1856 They said I would never marry. Twelve men in four years came to my father’s Virginia plantation, looked at my wheelchair… and walked away. Some were kind. Most were not. “She can’t walk down the aisle.” “My children need a mother who can chase them.” “What’s the point if she can’t even have sons?” This last rumor, spread by a doctor who had never examined me, spread like wildfire in 1850s Virginia. At twenty-two, I wasn’t just disabled. I was defective. Defective goods. My name is Elellanar Whitmore, and by 1856, society had already decided my life was over before it had even begun. No one expected—not the twelve men, not the gossiping neighbors, not even me—that my father’s desperate solution would ignite a love so rebellious it would resonate for generations. But before you judge him… you must understand the cage we lived in. Virginia in 1856 was not kind to women. And it was even less kind to women who could not stand. My legs had been useless since I was eight. A horseback riding accident. A fractured spine. Fourteen years in a polished mahogany chair my father had commissioned, so elegant it made society forget what it symbolized. But they never forgot. The chair wasn’t the real problem. It was what it represented. Dependence. Fragility. A woman who, according to gossip, was incapable of fulfilling the duties of a wife. My father, Colonel Richard Whitmore, owned five thousand acres of land and two hundred slaves. He could negotiate cotton prices in three different states. But he couldn’t negotiate my value on the marriage market. After the twelfth rejection—a fifty-year-old drunk named William Foster, who rejected me even after my father offered him a third of our annual profits—I understood one thing clearly: I would die alone. My father understood this, too. And it terrified him. One evening in March 1856, he called me into his study. “I will marry you to Josiah,” he said. I burst out laughing. Not because it was funny. Because it was impossible. “The blacksmith,” he clarified. The room fell silent. “Father… Josiah is a slave.” “Yes,” he said. “I know exactly what I’m doing.” I thought he’d lost his mind. What I didn’t know was that I was about to meet the man who would change everything I thought I knew about strength… and valor. They called him “the brute.” Seven feet ten inches tall, if not shorter. Two hundred pounds of muscle forged from iron. Hands marked with the scars of the forge. Shoulders that barely fit through doors. White visitors whispered about him. Slaves gave him space. He looked like a weapon. The first time he entered our living room, he had to duck to get under the cornice. His eyes never left the floor. “Yes, sir,” he said to my father, his voice deep but surprisingly soft. When we were alone, the silence stretched between us like a test neither of us wanted to fail. “Are you afraid of me, miss?” he asked softly. “Should I be?” “No, miss. I would never hurt you.” His hands—enormous, strong enough to bend iron—rested gently on my knees. And then I asked him the question that changed everything. “Can you read?” A flash of fear crossed his face. In Virginia, teaching slaves to read was illegal. “Yes,” he said finally. “I taught myself.” “What do you read?” “Everything I can find. Shakespeare. Newspapers. Anything.” “What’s your favorite play?” “The Tempest,” he replied without hesitation. “Prospero calls Caliban a monster… but Caliban was a slave on his own island. Makes you wonder who the real monster is.” And just like that, the brute vanished. In her place was a man who could talk about Shakespeare with more insight than half the men who had rejected me. We talked for two hours. About Ariel and freedom. About being trapped in bodies and systems that defined you before you could even define yourself. When he finally said, “Anyone who can’t see beyond a wheelchair is a fool,” something inside me opened. For the first time in fourteen years, I felt seen. Not pitied. Not tolerated. Seen. The arrangement began in April. Not a legal marriage—that would have been impossible—but my father entrusted Josiah with the responsibility of my care. He moved into a room adjacent to mine. And slowly, awkwardly, we built a life within an impossible structure. He helped me get dressed—always asking my permission first. He carried me when necessary—as if I weighed nothing. He rearranged my shelves alphabetically just because I asked. And in the afternoons